Javier Cercas is one of Europe's most serious and attractive writers . . . Cercas is not content with the easy story, in this case the unmasking of a false hero. He boldly searches for the hidden truths of his elusive subject and his times.
A fascinating, highly charged, scalpel-sharp dissection.
Masterly . . . Cercas probes this mysterious and extraordinary life with uncommon patience, uncommon skill and uncommon sympathy.
Cercas as added another literary page-turner to his unique oeuvre. He is a master at combining historical truth and fictional viewpoint.
A fascinating book, very much of our time in this era of fake news and what is called 'historical memories'.
[Cercas] goes about telling Marco's story with great skill, some impressive detective work and an irony that's sometimes amused and sometimes appalled
[A] mesmerizing biography of a fraud . . . This rigorous work shines a light not only on the methods of the deceiver but the willingness of the deceived to accept such falsehoods
[The Impostor] vibrates with an insomniac energy . . . it has the hot, charged energy of sitting through a trial . . . The language is precise, distinctive and delicious.
One of the most accomplished books I've ever read
The Impostor is a humane, artistically responsible and civilised book, one that you finish feeling heartened that such a serious-minded writer as Cercas is at work.
No Spanish writer has probed the unhealed wounds of the country's history with more subtlety and rigour than Mr Cercas
Besides being a piece of nifty journalistic detective work, Cercas' book is an insightful psychological study . . . Both convincing and compelling
Truth and fiction blend in an outstanding novel about a Holocaust impostor
A very rich text, a true textile of interlinked threads of thought, of history and of stories . . . The Impostor is fiction dealing with the value of history; and it is a history about the vital value of fiction as a guarantor of reality