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The Cheffe

Paperback / ISBN-13: 9780857058904

Price: £12.99

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“Marie NDiaye is so intelligent, so composed, so good, that any description of her work feels like an understatement” – Madeleine Schwartz, New York Review of Books

“Rich, meandering . . . NDiaye excels at luscious, forensic descriptions of the ritualistic preparation of food” – Catherine Taylor, Mail on Sunday

The Cheffe is born into a very poor family in Sainte-Bazeille in south-western France, but when she takes a job working in the kitchen of a couple in the Landes region, it does not take long before it becomes clear that the Cheffe has an unusual, remarkable talent for cooking. She dreams in recipes, she’s always imagining food combinations and cooking times, she hunts down elusive flavours and aromas, and she soon usurps the couple’s cook.

But for all her genius, the Cheffe remains very secretive about the rest of her life. She becomes pregnant, but will not reveal her daughter’s father. She shares nothing of her feelings or emotions. And when the demands of her work and caring for her child become too much, she leaves her baby in the care of her family, and sets out to open her own restaurant, which will soon win rave reviews and be lauded by all.

But her relationship with her daughter will never be easy, and before long, it will threaten to destroy everything the Cheffe has spent her life perfecting.

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A magnificent novel. A story of slow, violent beauty
Olivia de Lamberterie, Elle
Seared with incandescent prose, imbued with generosity, The Cheffe is the work of a supreme writer
Jérôme Garcin, Obs
A virtuoso novel that borrows from the classics to create the life of a cheffe. Subtly sublime
Nelly Kaprièlian, Les Inrockuptibles
The Cheffe joins the remarkable procession of intense, passionate heroines of Marie NDiaye
Nathalie Crom, Télérama
Rich, meandering . . . NDiaye excels at luscious, forensic descriptions of the ritualistic preparation of food
Catherine Taylor, Mail on Sunday
There's the evenness of her prose, eminently polished, deliciously rhythmic, that seems to glide over the violence underneath . . . Who is this writer? And how did she get to be so good?
Madeleine Schwartz, New York Review of Books