THE HOUSE WITH THE STAINED-GLASS WINDOW
Translated from the Polish by Antonia Lloyd-Jones
In 1989, Marianna, the beautiful star soprano at the Lviv opera, is shot dead in the street as she leads the Ukrainian citizens in their protest against Soviet power. Only eleven years old at the time, her daughter tells the story of their family before and after that critical moment - including, ten years later, her own passionate affair with an older, married man.
Just like their home city of Lviv, which stands at the crossroads of nations and cultures, the women in this family have had turbulent lives, scarred by war and political turmoil, but also by their own inability to show each other their feelings. Lyrically told, this is the story of a young girl's emotional, sexual, artistic and political awakening as she matures under the influence of her relatives, her mother's former lover, her city and its fortunes.
Trade paperback - 210x138 - 240p - £12.99 - 21/09/2017 - 9780857057136
"The House with the Stained-Glass Window is remarkable, a gripping, Lvivian evocation of a city and a family across a long and painful century, at once personal and political, a novel of life and survival across the ages" PHILIPPE SANDS, author of East West Street
"This story could only have happened in Ukraine. And then again it could have happened anywhere, because the blood on the blue-and-yellow flag is just the beginning of an intimate tale about four generations of women" ZOFIA FABJANOWSKA-MICYK, Zwierciadlo
"A moving, incisive saga about women entangled by historical events" ANNA SZULC, Newsweek Polska.
"Sloniowska is a fascinating story-teller who also gives insight into the reality of life in Ukraine. This is an astonishing literary discovery" JUSTYNA SOBOLEWSKA, Polityka.
"A city of women's mysteries, and History, which the author constantly re-interprets. Zanna Sloniowska surprises and seduces" JAROSLAW CZECHOWICZ, Krytycznym Okiem.
"This novel was written as a challenge to crushing, cruel history; it arose from a desire to give a voice to the individual experiences of women. But at a certain point it turns in a direction contrary to its original ambitions, and the counter-history disappears in the fog of exploding smoke grenades" DARIUSZ NOWACKI, Gazeta Wyborcza.